Colombia
The storytellers who write have the advantage of having fought in the battle role and not before the public, because writing serves as a system for organizing what is thought, however, it is useless master writing if not intended for the story and although the system is full of letters, the first stories written paper. It is timely therefore to know, assuming the idea that many of the contemporary narrators inevitably we reverse course, writing to orality, trying to keep within the city, a heritage which allowed us to configure ourselves as humanity: the counter stories. Now, we, what we have in the account to that path that starts in the head after the paper goes beyond the orality of the best way possible? There is no doubt that a text with no problems will be better to tell, so it is prudent to reflect on some aspects:
Ø The blank is a blank mind. Map of ideas. Ø
Storyteller's Choice. Ø
level of the story, the story level. Ø
The Subject. Ø
Characters, targeting. Ø
Dialogues. Transfer of voice.
Methodology Because it is under the dynamic of the workshop will not address each session as a lecture. Be proposed observation exercises and games in order to break the fear barrier and to propose matters.
Resources for the proper development of the workshop only need a space where participants can write and stay focused. The leaves and the role each will not come to a workshop of this kind without that. Least two sessions are recommended for the opportunity afforded by the break to reflect and better address the problems that everyone has in writing. Recommended Bibliography
not stay there ...
The Poetics of Aristotle
Speaking Institutions. Marco Fabio Quintilian
Orality and Writing.
Walter Ong's kitchen writing. Daniel Cassany
life drama. Eric Bentley
Grammar of Fantasy. Gianni Rodari
and stories, many stories ...
Workshop description
Duration: at least two sessions
Session Time: 3 hours
Participants: 10 to 15 people
Workshop Member
Jhohann Castellanos, El Santo